How much research do you have to do on Native American Culture? (To write Medicine Man I: The Chief of All Time)
Those of you snickering can stop now. Research, even if you are writing about your
own culture, is an important aspect of any book, fiction or not. I am also an editor and too many times I come
across stories with very poor research.
My favorite saying is: write what you know or what you can learn
about. This holds true for Medicine
Man.
The story is based on a “how and why” story of the Blackfoot
Tribe. I did look online to find a few different
versions of the story, basically the same story, but I wanted to be sure the
story was out there. Too much native
culture has been absorbed and appropriated that I didn’t want to give more out
to vanish into someone else’s ideology.
So, when I added in a ceremony, I did spend time looking into
those same ceremonies and seeing what was already out there. This might seem like a negative thing to do
in fiction, after all don’t we want to write something new, something no one
has read before, seen before? In this
case, no, I didn’t. I can hear a voice
saying, but then it isn’t real! Exactly,
its not real, it’s a work of fiction based on reality in some aspects. Would the LDS church be happy with someone
taking pictures in the inner sanctum of their Temples and reciting the
ceremonial words used there? Would the
Masons? The Catholics with a revival
tent preacher wearing a priest’s collar and using bits and chunks of Catholicism
with their own brand of revival gossip? When taken out of context the risk is
the sacredness being used incorrectly and for other purposes.
I handled the things in Medicine Man the same way. If it was
available for public consumption on the Internet, I deemed it appropriate to
use. I did spend days immersed in myths
and stories, finding some I had never heard before. The story starts out in
Fond du Lac, WI. An area I was very
familiar with, but . . . when you have
been away for a while, are the details clear?
So I did some online research into that was well, was this road still
there, was the gazebo at the park still there, the concession stand?
I did have the chance to go back there, not under the best
circumstances, but I took the time to walk the locations I used in the book, to
drive some of the roads. To talk to some old friends about what I was doing
with the book, they agreed with my take on it. Research, don’t give away things
that people don’t already know.
As the story became a multi-cultural blend, I did think, what
would happen if a number of people (American Indian) had to live together from
different cultural groups, how would they blend over time, conflict? An all tribal Pow Wow can give you some idea,
basic ideologies and concepts are the same, a love for Mother Earth, and a
connection to her. But what about,
matriarchal vs patriarchal, what about who owns the house (err Tipi), marriage
and divorce. So, as each character made
themselves known in the writing process, I did do research, into cultures I
didn’t know much about. Bought several
well recommended books, called chapter houses on reservations in the nations
the character was from, made notes on what elements I wanted to include.
Then asked the questions, how would a modern Indian, (and no
that’s not a dirty word, though it does get shortened to NDN these days) who
turned his back on his culture for all his adult life view the different
cultures, what would he adopt as his own, trapped in the past with this mix of
others? How would he present his modern
ideas to people who had never heard of a car, or a computer, or even a wind up
clock?
I ended up doing some research on that as well, how did
cultures, when first exposed to the modern world react? The Gods Must be Crazy (an older movie) came
to mind.
Then came concepts, like how to make an arrow head (Thank you
You Tube) Thank you survival books on the shelves in my office. More cultural digging on who would teach kids
to do it, Did everyone learn, how did
that differ across cultures, so back to the internet, back to the books, back
to Universities.
Then, I basically took a virtual Yatzee cup, poured it all in
and dumped it out. Chose the bits and
pieces I wanted to include from all the cultures represented and put them in,
and mixed them. I think the results are a fantastic story that takes the reader
on a cultural journey with a taste of many, while gaining a connection with the
main characters and their plight.
Excellent advice, Shawn. I have also found that a lot of times people will research, fall in love with what they discovered and want to share all of it with the reader. The end result is often a dry as dirt tale due to a huge data dump.
ReplyDeleteNeedless to say, you did not do that. You wove the research into this story with a masterful hand. You gave us enough so we could envision the scenes and people, but not so much we were bogged down with
details. Of course, being the editor and publisher, I am a bit biased.
(G)
Marci Baun
Publisher
Wild Child Publishing
Freya's Bower
That's always a balancing act, how much do I include, but not so much that the reader groans and shuts the cover, never to open it again.
ReplyDeleteWhen writing in any time period other than our own the temptation is there to "teach" the reader or "show" them everything you know about something. In Medicine Man I had to keep my thoughts on what would the MC, Shannon, know or not know, what would puzzle him? And expand those things while keeping common place things out of his thoughts, but still show the reader the interesting bits.
SRHowen
Yep, good advice. Pick out the most fitting details to the story or scene, or the most relevant, and maybe save the others for another story, maybe. What we learn never goes to waste.
ReplyDeleteJoeBear
The lost bits story file. Every writer needs one. Thanks for stopping by JB
ReplyDeleteBravo, Shawn. Here's to the lost story bits file - you never know when it will come in handy.
ReplyDeleteThis is great. I couldn't agree more about the research and I enjoyed your reference to 'The Gods must be Crazy'. One of our better exports. :)
ReplyDeleteHope your book is a sellout!
Even in DISTORTION when I was writing about Houston where I lived for 25 years, I had to research little tidbits. The problem with culture is that it comes out in a word here or a phrase there. To make the reader feel it, those little tidbits have to be dead-on perfect. I'm researching Morocco for a scene in my 2nd book just now.
ReplyDeleteIt is gratifying to find an author who does the proper research for a work. I am always amazed and disgusted by those who don't. There are authors in the hardboiled detective genre whose works have been made into movies, who know nothing about guns. You would think that these guys would have researched their bread and butter topic. When I find evidence of such ignorance, I don't just slam the book shut; I slam it shut and throw it across the room.
ReplyDeleteWe have had power outages all day on and off, on and off, on and off. Apparently, since we have not had rain in so long and we had fog today the combo made arcs that shorted out transformers. (so need to use that in a novel!)
ReplyDeleteIn Medicine Man I, it starts out in Fond du Lac WI. A reader commented I've been in that park. It was just like that.
Even the smallest reference can bring the reader into the story and keep them, where a poor reference can lose the reader for good.
Thank you for stopping by, I hope you enjoy the book!
Shawn